
Over the last few weeks a group of Realneo users has been carrying on an email discussion about digital copyright issues which might be faced by Realneo due to users cutting and pasting entire articles or entire images taken from another web source and posted into Realneo. As part of this email discussion I have been reading up on copyright law and talking with friends.
So about a week ago when a Realneo user heard an NPR radio broadcast by Terry Gross which was discussing the copyright issues surrounding the Obama “HOPE” campaign poster (which is the work of Shephard Fairey), they telephoned me to tell me to turn on my radio.
Ms. Gross was interviewing people in relation to several copyright lawsuits over the Obama “HOPE” poster. Among those interviewed was Shepard Fairey, who is the 39 year old Rhode Island School of Design (RISD) trained artist who created the poster.
When the poster was made in early 2008, Mr. Fairey did not credit anyone for supplying a photograph for the basis of Mr. Fairey’s colorized poster image of Mr. Obama. And the lack of any photographer credit had produced curiosity among photographers like Tom Gralish of the Philadelphia Inquirer.
Bingo!
Mr. Gralish found the original photo had come through Associated Press and had been taken by freelance photographer Mannie Garcia.
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Back to Terry Gross’s interviews: Ms Gross interviewed Mr. Fairey, Photographer Garcia, and aired statements from the Associated Press (who would not speak on tape), and discussed with an attorney who specialized in copyright law the two precedent US Supreme Court cases which define US copyright law.
Mr. Fairey has launched a preemptive suit against AP claiming there was no copyright violation and that AP is harassing Mr. Fairey, and Mannie Garcia is litigating with the AP over whether he was a free lance photographer or a employee of AP the day he took the photo of Obama. You can listen to the entire 2/27/09 45 minute NPR podcast
here . A big cat fight!
So when I heard that Shepard Fairey was the main exhibit at the at the Institute of Contemporary Art (ICA) in Boston, Massachusetts, I knew I had to go to enlarge my understanding of what Mr. Fairey did and how he did it.
I had intended to hit the ICA on a free admission day (Thursday) and I wanted to get to the building during the daylight so I could photograph the exterior of the museum completed in 2006. As it turns out, I ended up paying the $12.00 admission, because free admission didn’t begin until 5:00pm.
And as I was putting my change back in my wallet, I saw the first sign outside the elevator:
I brought my camera along anyway. When I got out of the elevator on the fourth floor where the Fairey exhibit was, there's another prominent blue sign: please “NO PHOTOGRAPY”
--------------------------------------- More to this post will be coming soon…..