John House, Professor, Courtauld Institute of Art, lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". This lecture is free and held in the Recital Hall.

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Hollis Clayson, Professor, Northwestern University, lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". This lecture is free and held in the Recital Hall.

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A film not to be missed by Stanley Kubrick fans: COLOR ME KUBRICK: A TRUE...ISH STORY (Britain/France, 2005, Brian W. Cook) This amusing new movie tells the incredible true story of Alan Conway, a small-time British con man who passed himself off as the famously reclusive filmmaker in 1990s London. As played by John Malkovich, Conway is a gay man of many accents and an eyebrow-raising wardrobe who scored lots of drinks, dinners, cash, and companions with his extended ruse. The movie's witty allusions to Clockwork Orange and 2001 are attributable to the fact that both the writer and the director worked for Kubrick for many years. "A sly, enormously entertaining romp." -Variety. Cleveland theatrical premiere. 35mm. 86 min. www.magpictures.com

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Beach at Sainte-Adresse, 1867

Renowned Impressionist and Monet scholar, and professor at the University of Massachusetts,  Paul Tucker lectures at the CMA as part of the Monet Lectures series accompanying the exhibition "Monet in Normandy". Paul Tucker has written many scholarly books on Monet and has curated several Monet exhibitions.

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The Case Western Reserve Department of Art History and Art will feature Maurizio Seracini, an art diagnostician who has spent the past 30 years using scientific techniques that incorporate new space technologies and medical/surgical advances to study works of art in non-invasive fashion.

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Untitled (from the Silueta Series, August 1978,

Photograph, 8 x 9 15/16"

Wednesday, March 28 there will be a free screening of short films by Ana Mendieta that document her performances from the 1970s and 1980s, notably her earthwork/body art siluetas.

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I was quite honored to be contacted, a few weeks ago, by the producer of one of my favorite television programs, Dee Perry's "Applause", asking for information about REALNEO. Seems he was doing research on the spectacular Convivium 33 Gallery, which we have featured extensively on REALNEO, covering Christopher Pekoc here and Clarence Van Duzer here (photos from which were featured in Cleveland Magazine), so REALNEO came up in search results. The producer saw REALNEO as in interesting source of insight on arts and culture in NEO and suggested to his staff doing a segment on Applause about REALNEO. Even though we scheduled the interview, this seemed very abstract until I just saw a promotion on WVIZ for the show, featuring a scrolling view of the REALNEO home page.

3rd Annual Art Fur Animals Benefit & Auction, all proceeds go directly to the care of animals at the City of Cleveland Kennel.
I went to this even last year and it was a lot of fun. Various artists painted about 30 ceramic dogs that were sold by auction. There were other types of art (prints, photos) being auctioned too. The low admission price brought in a fun crowd. There were free appetizers and a cash wine bar. I liked how the whole event was done at a very low cost allowing most of the money to go to the animals. But, what I enjoyed most was seeing all that creativity. I bought a dog with scenes of the Mediterranean painted on serveral areas of his anatomy. This year should be no less interesting!

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Always one of the most important arts events of each year, in NEO, the Cleveland Institute of Art Student Independent Exhibition (now in its 61st year) proves, as promoted, "Tradition doesn’t always have to be stodgy". Far from stodgy - this show is always exciting, in your face, over the top, fun and inspiring. It is also one of the best places in the world to see what art and artists are influencing this region now and will continue to change the world throughout our lives.

Dana Schutz, Relic, 2006
30 x 22 inches, #28 of 100

While chatting with my parents the other day, my dad mentioned they had just bought the above print by globally-hot NEO/CIA trained artist Dana Schutz, who blew the NEO art scene wide open this Fall with her fantastic exhibition of paintings that drew international acclaim and such massive crowds the MOCA gift shop sold out of everything on hand... here's a write up about this print from a Dana Schutz fan in Houston, and gushing praise about the show and MOCA from a visiting arts champion from Detroit (who I quote, about MoCA/Cleveland: "For me MOCA in Cleveland was bittersweet.  It was great to see that places like Detroit can build up and become something and even support young artists.  It is hope that Detroit ,too can have a contemporary.  But it was also a sad reality check that we are a city lacking a fertile art environment.  Let's hope that the talks of Detroit getting a contemporary will actually go somewhere.  Maybe we can kidnap some of the city planners from Cleveland????"). I hadn't heard anything about this important print (or any Schutz prints on the market), which my parents said Dana donated to MoCA to raise funds for them, so I asked my parents how they had heard about it and they said they believed they read about it in the international arts magazine ArtNews - not anywhere in NEO. They sought it out - bought it - and MoCA made money. There are more for sale... more money to be made for MoCA (at $2,200 a piece, making good money for MoCA)... more great arts investments to be made by arts patrons, here or elsewhere.

This in today from Cleveland Tech Czar Michael DeAloia and CIA Future Center Director David Moss... their personal invitations to all to join them at Future Center for a reception for artist Guy-Vincent Ricketti's Identity Remix... read on... hope to see you there.

Now Showing : Indentity Remix

Stop into FUTURE Gallery and experience the work of Guy-Vincent Ricketti and the thought-provoking Identity Remix.

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A limited palette and an intimate, close up view of nature make this an arresting modern work. In January of 1885 Monet experienced weather something like what we had in Cleveland just two weeks ago. Temperatures in France that month were unusually cold, averaging around 21 degrees and snow altered the landscape close to Monet's home in Giverny. Winter scenes were popular among the Impressionists and Claude Monet had painted his first in 1865, very early in his career.

Spectrum – the Undergraduate Gay-Straight Alliance of Case Western Reserve University – and Case’s University Programming Board are pleased to bring the “Sex Workers’ Art Show” to Case on February 26, 2007.

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(This opening was rescheduled because of the blizzard February 13th)
The opening reception for “PROCESS IN ART:
ACCUMULATION AND TRANSITION" is tomorrow night (Tues.
Feb 27th) at The Cleveland Foundation from 5-7pm.

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    Claude Monet's paintings are pretty. For this reason some people love his work and other dismiss it as decorative and superficial. "Monet in Normandy", the exhibition on now at the Cleveland Museum of Art, brings us over 50 works by one of the world's best known painters and presents them in an intellectual manner that may even make you see those water lily tote bags and umbrellas in a different light.

MVRDV several years back produced a book titled Regionmaker.  The book was brought to my attention via Bill Scheele who presented during some of the very first colloquia at REI Tuesdays.  Bill initially saw the book at a book store on the West Coast, and purchased it because of the book’s unique use of dual languages (Dutch on the left page, English on the right hand page) and the use of binding the book together with different colored pages ( to distinguish the different chapters)  When I read through the book I told Ed Morrison that Regionmaker included a  thesis  confirming (with mathematical precision) Mr. Morrison’s “Quality Connected Spaces” economic stimulation philosophy.   Bill’s  newCAT  (interesting that MVRDV was under discussion in 2004 at REI, while it just hit the radar with CIA in 2007) was itself an effort to improve the local technology economy through expertise in digital art.   But back to MVRDV - if MVRDV designs their CIA University Circle job with the same high level of  innovation with which they designed their Regionmaker book - then we will have unique and stimulating architecture here in Cleveland.

In what represents significant progress with a very positive trend, the Cleveland Institute of Art has announced their selection of one of the world's most respected hip young architecture firms, MVRDV, to design the new campus for CIA. Based out of Rotterdam, the Netherlands, the new CIA design will be MVRDV's first work in North America. Add this to the selection by MOCA of Foreign Office Architects of London, for their new museum and we have two of the hot creative properties in the world focusing their best efforts on two of NEO's most important institutions and design projects, both located within strolling distance in the University Circle redevelopment area called "The Triangle."